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Guide to Bath, Somerset, UK
Bath is a city in Somerset in the south west of England. It is situated 99 miles (159 km) west of London and 13 miles (21 km) south-east of Bristol. The population of the city is about 80,000. It was granted city status by Royal Charter by Queen Elizabeth I in 1590, and was made a county borough in 1889 which gave it administrative independence from its county, Somerset. The city became part of Avon when that county was created in 1974. Since 1996, when Avon was abolished, Bath has been the principal centre of the unitary authority of Bath and North East Somerset (B&NES), a part of the wider Somerset county.

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The city was founded, among surrounding hills, in the valley of the River Avon around naturally-occurring hot springs where the Romans built baths and a temple, giving it the name Aquae Sulis. Edgar was crowned king of England at Bath Abbey in 973. Much later, it became popular as a spa resort during the Georgian era, which led to a major expansion that left a heritage of exemplary Georgian architecture crafted from Bath Stone.

The city of Bath became a World Heritage Site in 1987, and has a variety of theatres, museums, and other cultural and sporting venues, which have helped to make it a major centre for tourism, with over one million staying visitors and 3.8 million day visitors to the city each year. The city has two universities and several schools and colleges. There is a large service sector and growing information and communication technologies and creative industries, providing employment for the population of Bath and the surrounding areas.

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Bath Abbey was a Norman church built on earlier foundations, although the present building dates from the early 16th century and shows a late Perpendicular style with flying buttresses and crocketed pinnacles decorating a crenellated and pierced parapet. The choir and transepts have a fan vault by Robert and William Vertue. The nave was given a matching vault in the 19th century.The building is lit by 52 windows.

Most buildings in Bath are made from the local, golden-coloured, Bath Stone, and many date from the 18th and 19th century. The dominant style of architecture in Bath is Georgian this evolved from the Palladian revival style which became popular in the early 18th century. Many of the prominent architects of the day were employed in the development of the city. The original purpose of much of Bath's architecture is concealed by the honey-coloured classical façades; in an era before the advent of the luxury hotel, these apparently elegant residences were frequently purpose-built lodging houses, where visitors could hire a room, a floor, or (according to their means) an entire house for the duration of their visit, and be waited on by the house's communal servants.

"The Circus" consists of three long, curved terraces designed by the elder John Wood to form a circular space or theatre intended for civic functions and games. The games give a clue to the design, the inspiration behind which was the Colosseum in Rome. Like the Colosseum, the three façades have a different order of architecture on each floor: Doric on the ground level, then Ionic on the piano nobile and finishing with Corinthian on the upper floor, the style of the building thus becoming progressively more ornate as it rises.[96] Wood never lived to see his unique example of town planning completed, as he died five days after personally laying the foundation stone on May 18, 1754.


The best known of Bath's terraces is the Royal Crescent, built between 1767 and 1774 and designed by the younger John Wood. But all is not what it seems; while Wood designed the great curved façade of what appears to be about 30 houses with Ionic columns on a rusticated ground floor, that was the extent of his input. Each purchaser bought a certain length of the façade, and then employed their own architect to build a house to their own specifications behind it; hence what appears to be two houses is sometimes one. This system of town planning is betrayed at the rear of the crescent: while the front is completely uniform and symmetrical, the rear is a mixture of differing roof heights, juxtapositions and fenestration. This "Queen Anne fronts and Mary-Anne backs" architecture occurs repeatedly in Bath.

( This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Bath")

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